On Thursday March 29 I was graced with the opportunity to go
to a poetry reading of Jane Hirshfield.
Intermixed with some of her reading from her new book of poetry she
mentioned that her neighbor’s son had started a band. Because of this new found love for music her
neighbor’s son would practice in the mid afternoon, and to go along with this
he played the drums. Hirshfield told the
audience that because of the noise coming from the house she could no longer
write in her office/converted garage in the afternoon. So, she started writing in the morning in her
bed; the rest of this commentary will be my interpretation of how this change
of location affected her writing in ways she may not have even notice. One poem she read to the crowd was “Da Capo.”
The word “da capo” is a term used in
music that tells the musician to repeat the line. The fact that she was thinking about a term
from the music world could have been subconscious because her writing venue was
changed because of the noise from the drums, a musical instrament. Another poem that she discussed was about a French
horn, and she was surprised by the response to the poem because she was not
aware so many people had a connection to the French horn, yet again another musical
reference. Because of her having to
change writing locations she now has a different view outside than the view her
office had before. This new view may
have triggered another poem idea about the redwood trees by her house. This idea may be a result of seeing the trees
out her bedroom window. Jane Hirshfield
also has a tendency to write about food.
This may be caused, at least in her new book, by the fact that she is
writing in her bed and may be hungry for breakfast but is too busy writing to
eat, and this hunger comes out in her work.
My final point comes from her saying that she practices a Japanese
tradition of thoroughly cleaning her house on New Year’s Eve. She talked about how she washes her door
knobs, and even wrote a poem about it.
My theory is that she thinks of new places to clean when she is laying
in her bed, and this is based on my own experience of coming up with good ideas
while laying in my bed. So, to exaggerate
and try a far-fetched conclusion, I think that Jane Hirshfield should thank and
possibly even dedicate her new book of poetry to her neighbor’s son for ideas
on what to write about. I feel this way
because it was that boy who caused Jane to change where and when she writes,
giving her new ideas and a new perspective of what to write. Of course, this motivation from her neighbor’s
son is most likely nonexistent except in my mind, but I’m entitled to my ideas.
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